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“Sense8” and “What’s Up?”

“You’ve got to watch this show. It’s just like your books!”

Heroes-Original-CastThe first time this happened it was Heroes, which premiered in 2007, when the novel I had been toying with in my head for 20 years was starting to take shape. I’m the one who saw the loose connection with what I was trying to do as I watched this show about otherwise normal people with superpowers who were learning to cope with what they could do while learning to work together.

Maybe I should give up now? I thought. “But no. The popularity of this show means people like this kind of stuff. Maybe it means I need to start writing.” So I did.

Kiefer-Sutherland-Touch-Season-2-Cast-Photo-1024x576The next time it happened it was “Touch”, which premiered January 2012, less than a month before I released x0 on kindle. My daughter, who had already read x0 and a draft of y1, alerted me after she saw the show. “Mom, it is so much like what you are trying to say. I guess it was, kind of, and kind of not.

It turns out that I liked “Touch” even better than “Heroes”. It was a little more metaphysical, a little less about cool but unbelievable super powers. No flying, that sort of thing. To be honest I was proud that my daughter thought my ideas were in the same ball park. I saw every episode and was sad to see “Touch” go off the air in 2013.

Then last fall my son gave me the news.  “There is this new show on Netflix and you’ve got to see it, Mom.  It is so much like your books.” By this point he had read all five of them and I admit that I drug my feet on this last one. What if he was right and this story line was finally going to be the one that was too close to my own?

sense8We got Netflix up and running on the new TV and settled into to watch episode one of “Sense8”. Once again, it was an intriguing metaphysical superpower story about the connections between all of us. I loved it, even more than I had loved “Touch” which I had loved even more than “Heroes”. Yes, yes it kind of was what I was trying to say but of course it kind of wasn’t too and of course it said it with completely different characters and story lines. I was coming to understand that my great themes were not exactly new and they could be told afresh many times and many ways, and the telling by others didn’t diminish my own message which would always be subtly my own.

And then I saw episode 4. If I had to pick one thing that will always and forever make me think of x0, it is “What’s Up” by 4 Non Blondes. I’ve loved this song since it came out in 1993, and as a new writer I wanted so badly to reference some of the lyrics in my book while I was writing about troubles in Nigeria and how they appeared to Lola in the U.S.

“No problem,” some people told me “Just use the lyrics.”

“Don’t even think of using them,” others warned.

4 Non-Blondes: click for official video

I took the upright but truly naive approach of contacting the owners of the rights of the song. I was lucky, Sony/ATV Music Publishing owned all the rights. For two months in 2011 I negotiated with a wonderful Licensing Analyst named Lacey Chemsak who must have thought I was crazy as I haggled over fees and number of copies like I was negotiating an arms deal. In the end I paid Sony $200 to the use the text you will see at the end of this post. Was it worth it?

Logically no. Of course not. But we don’t live in a logical universe, do we? You see, on came episode 4 of Sense8, with the scene below. I stood up, surprised at hearing “my song” in this series. Then I stated to sing along and for one moment the interconnectedness of me and the Wachowskis and 4 Non Blondes and all the other people who see the interconnectedness of things and all the characters in Sense8 and those in my books and hell everybody in the whole world came together in my head, and tears ran down my face and it was better than being drunk or high or even having an orgasm because this was so fucking incredible and I couldn’t stop singing or crying.

“Look at you,” my husband said laughing because he didn’t know what else to say and then he looked at me again and didn’t say anything and just let me be.

The song finally ended and I wiped away my tears and felt kind of silly. It didn’t matter. My newly discovered connection to “What’s Up” and “Sense8” had been the best $200 I ever spent.

Enjoy “What’s Up” as it appears in the show.

Here is the excerpt from  x0:

Lola’s coworkers did not discuss Nigerian politics with her much in the office unless Lola specifically brought something up, so it wasn’t until late in October when Lola was doing a lunchtime internet browse that she came across a BBC article from early October titled “Will amnesty bring peace to Niger Delta?”

Amnesty? That sounded hopeful. As she started to read, Bob walked by, singing in his head one of the many great oldies he had managed to amass on his iPod. Where did the man find so many good old songs?

What’s Up?” had been the 4 Non Blondes’ 1993 hit, coming out the year that Ariel was four. Lola loved it, and the two of them had sung, actually, screamed it together whenever it came on the radio when Lola was driving little Ariel to preschool.

In her BBC article, Ms. Duffield described talking to taxi drivers, shopkeepers, and hotel clerks in the Niger Delta region who were all hoping for peace as they watched militants hold disarmament ceremonies which involved relinquishing guns, rocket-propelled grenades, explosives, ammunition, and gunboats. Gunboats??

And so I wake in the morning and I step outside And I take a deep breath and I get real high / And I scream at the top of my lungs / What’s going on?

The BBC article added that while no one appeared to have given up their entire arsenal, the quantity of weapons released, presumably for cash, was significant. Concerns had been raised that no independent monitors were tracking what was being done with the weapons, and this caused worry because in the past, corrupt officials had sold confiscated guns, which had then made their way back into the hands of a wide variety of criminals.

And I try / oh my god do I try / I try all the time, in this institution.

The article noted that another major obstacle to peace was that there were now thousands of young men in the region effectively unemployed, given that their previous full-time profession had been guerilla fighter. Their resumes included kidnapping, blowing up oil pipelines, and stealing massive amounts of crude oil.

And I pray / Oh my god do I pray / I pray every single day for a revolution.

The government plan, according to the article, was to retrain these young men in new skills. It noted that they were already being processed at centers where they were being asked about their other career interests. Other career interests??

The BBC said that retraining would be a daunting prospect, and that in the case of failure, the young men would likely return to their previous activities.

And I realized quickly when I knew I should / That the world was made up of this brotherhood of man / For whatever that means …

She looked at the photo of the giant pile of automatic weapons. Seriously, right now in Nigeria there were actually thousands of angry young men filling out employment questionnaires??

Twenty-five years and my life is still / Trying to get up that great big hill / Of hope … for a destination.

Finally, enjoy this well done review of Sense8.

 

 
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Posted by on March 14, 2016 in music for peace, Nigeria, oneness, writing

 

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Time After Time

If I had to pick a single song as my favorite ever, it would be Cyndi Lauper’s “Time After Time.” It’s not a decision I can defend, because, well, you can’t. You like what you like, you love what you love. But because music is such an important part of each book in 46. Ascending, it makes sense that “Time After Time” would be the very first song I linked to, in my first electronic novel.

CyndiA little over a year ago, when I gave each of my first three books a light edit, and checked all the links, I also re-evaluated the links to the each of the songs and decided in each case to find a video of a special live performance that I thought captured the essence of the song-writer and singer. I was so happy to stumble upon this simple but stunning version of Cyndi Lauper performing “Time After Time” live on the sixth season of Australian Idol in 2008.

Enjoy the video. Below it is the excerpt from x0 that refers to the song.

Over the next few weeks, Lola finished working her way through the interpretation of the small structure located in one corner of her company’s lease. As happened so often in the oil business, her company had subleased the drilling rights from another company which had done so from another company, and now the term of the lease was near expiration and either a well would need to be drilled soon or the lease would need to be relinquished untested.

Because of the convenient fact that oil floats on water (check your salad dressing), one looks for oil in high places where the tiny coarse rock grains have enough spaces in between them to hold a good bit of oil. A rock with ten percent of its volume as space is a good rock to someone in Lola’s profession. Find the highest spot in it, put a nice tight rock like shale above it, which has virtually no spaces into which the wily oil can sneak out over the eons, and someone like Lola gets the message. Drill here.

This part of her job sat somewhere between treasure hunting and puzzle solving, and Lola had to admit that her day-to-day work would not have made a bad 3D video game if someone added a little bit of music and some glossy effects. And, okay, maybe a car chase or two. Lola enjoyed herself as she twisted and turned her 3D visualization of the rocks on her computer screen, humming as she looked for shifts in the rock layers known as faults.

“If you’re lost you can look / And you will find me / Time after time.”

Cyndi Lauper’s 1984 hit Time After Time had once been a favorite of hers, and now that Lola thought about it, it made good music to prospect by. She was surprised she hadn’t remembered the song for years. She sang a little louder.

“If you fall I will catch you / I’ll be waiting—”

“Time after time.” Bob, the older engineer in the group, joined in her song as he walked by her door. “Geez Lola,” he said, “I’ve had that song in my head all damn morning. What are you doing singing it?”

“No idea. Maybe we listened to the same radio station on the way to work?” she guessed.

“I only listen to my iPod,” he replied.

The fact is that I started each of my novels off with a special song. Click to read about y1’s “A Whole New World“, z2’s “Fame“, c3’s “A Texas Kind of Way” and d4’s “Lights“.

(You can buy a digital version of “Time After Time” from Amazon. You can also purchase x0 from Amazon.)

(Note that the lyrics to TIME AFTER TIME were used by permission: Words and Music by ROB HYMAN and CYNDI LAUPER Copyright 1983 DUB NOTES and RELLLA MUSIC CORP. All Rights for DUB NOTES Administered by WB MUSIC CORP. All rights on behalf of Rellla Music Corp. administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203. All rights reserved.)

 
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Posted by on October 14, 2015 in music for peace, oil industry, writing

 

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